September 30, 2013 § 4 Comments
September 30, 2013
Who doesn’t love a list?
Every year, twice a year, I teach a class on color and design. In the preparations for the class I compile a list of books that I have found to be integral in my pursuit of color knowledge. It is a very long list (12 pages) so I decided to pick eight books that I think are important for those who are looking to grow their knowledge and understanding of color.
1). A Natural History of the Senses by Diane Ackerman
2). Color and Human Response by Faber Birren
3). Color Psychology & Color Therapy by Faber Birren
4). Color Graphics; The Power of Color in Graphic Design by Karen Triedman and Cheryl Dangel Cullen
5). Colour/Travels Through the Paintbox by Victoria Finlay
6). A Perfect Red by Amy Butler Greenfield
7). Living With Color by Deryck Healy
8). Designing Across Cultures-How to Create Effective Graphics for Diverse Ethnic Groups by Ronnie Lipton
I would love to hear about your favorite color books. Are any of these books on your “must read” list?
What books would you include in your top ten list of color books?
For my complete list of books sign up for my next Color/Design course in to be held in Burbank, January 2014.
September 19, 2013 § 10 Comments
September 19, 2013
If you ask me who was the first person to start the personal color movement I would say it was Susan Caygill, based in San Francisco.
Now long gone, Susan first started her business in the 60s. I only met her once, briefly in the 80s, when I lived in Los Angeles, but my memory of her at that time is still so vivid.
Susan had a certain way about her. She was definitely not one to be ignored with her fabulous head of red hair and the way she carried herself. Susan was truly a cut above in her approach to personal color and she commanded top dollar to share her knowledge with you. She had quite the following and it would not be out of the ordinary to be in a consultation with Susan with a few of her staunch supporters in tow. Creating a beautiful personalized color palette was often a group effort.
As the personal color movement was slowly gaining steam it was not uncommon to have the support of other ladies who were enjoying their new found color confidence. As I was working on my book, Alive With Color, which was published in the early 80s, I too had the support of some wonderful women who all shared my love of color. This was a wonderful time and I have some lifelong friendships as the result, a few of whom I mentioned in the dedication of my first book, which is now out of print but has recently been updated as More Alive With Color.
Even though the Seasonal color palette is not my approach to personal color, we both share the belief that they key to finding your best colors is found in one’s hair, skin, and eyes, as well as emotional attachments to color. I devised the Color Clock system based on the time of day as I felt it was more inclusive of those countries that don’t experience winter or fall and is more inclusive of the hues found most frequently in natural settings.
Personal coloring isn’t about rigid rules. I never say that you can’t wear colors simply because they aren’t in your personal Colortime palette. I encourage my clients and readers to embrace all colors with an objective eye. This is one of the most important factors that has helped me most in my color career.
It is never too late to have your colors done. If you are interested in learning your personal colors, or having your colors done professionally, or want to become a personal color consultant, please visit my website morealivewithcolor.com.
Have you had your colors done? Are those colors still working for you? What is your Colortime?
September 10, 2013 § Leave a comment
September 10, 2013
As many of you may already know, I wear many hats as a color expert. I am the Executive Director of the Pantone Color Institute, owner/director of the Eiseman Center for Color Information and Training and I am the author of eight books on color (soon to be nine, stay tuned).
As part of my work with Pantone I spearhead their Pantone View Home + Interior color forecast. In addition, twice a year, I am part of a team that creates the Pantone View Colour Planner, which is a color forecast that spans many fields, such as fashion, textile and industrial design. Both forecasts are a result of trends that are developing on all fronts from media, socio-economics, entertainment, the impact of the environment, travel influences and any other worthy subject or direction for all creative design fields. I then compile this information into imagery with color as the guide. I let color tell the story of the times.
These forecasts are coveted among designers and industry professionals as they plan each season’s new creations. They are filled with color palettes designed with a “mood”, a rationale and an inspirational direction. Whether used out of context or within the theme we set in the palettes, they are great tools and hold key design principles with texture and balance.
Forecasts are such an integral part of the color consulting world and intrinsic to the knowledge of color in the future. That is why this subject is included in the Color/Design programs that I teach twice yearly.
Could a forecast help you in your work with color? Does this sound like an interesting part of the color world and were you familiar with forecasts? Please take a moment to share.
August 19, 2013 § 7 Comments
August 19, 2013
How many times have you heard that “gray is the new black“, or “brown is the new black” or even “red is the new black”? I can tell you that in my professional career I have heard this said season after season. The truth is black is a constant, staple, mainstay, and essential to every wardrobe.
I just roll my eyes when I hear comments like these because black is part of the color foundation of material society.
Black is here and never went anywhere and won’t be going any time soon.
However, earlier this week I was going through my archives and found that I, at one time, had indeed written: “Black is Back!” for the first edition of a newsletter that I edited as the newly-appointed executive director of the Pantone Color Institute. But it was at a time (1986) when black had truly had been diminished for a short time, at least, interior and fashion-wise and was coming back in full force. The following is an excerpt that includes comments from some of the designers (fashion and interior) that I spoke with who shared their thoughts about black.
“Black has become the greatest neutral, it brings an accent point into a space. To me, black is a very exciting and lively hue. I believe it is also powerful and authoritative.”-Vicente Wolf of Patino-Wolf Associates.
Donna Karan believes black provides the perfect foundation upon which to assemble a wardrobe or single outfit. Black defines the silhouette and goes with everything. Like a painter’s canvas, it is the essential backdrop on which to build.
Designer Halston comments: “Black is the most classic and eternal-it is all colors. Black cannot be penetrated. It is the ultimate color in high fashion.” He states he could use it all the time. There is no replacement. The most important and interesting piece in his collection is always black. He likes to work while wearing black because it does not compete with other colors. As long as he has been in the industry, black has always been his number one seller.
The dichotomy of black is also shown through historical happenings. The Reagans, Princess Di and Prince Charles have helped to make black-tie formality fashionable again. At the opposite end of the social scale, young people, from beatniks to rockers to punks, have adopted black as a symbol of the negation of a society.
Whether the ultimate in chic, or in the expression of adolescent defiance, black wields a powerful psychological force in the current world of design and color.
These sentiments about black are just as true today as they were more than 25 years ago!!
What role does black play in your wardrobe? Do you use black in your decor?
August 9, 2013 § 2 Comments
August 9, 2013
The color wheel is the basis of all color combinations. This circular arrangement of the spectrum visually illustrates the basic principles of color. That is part of what makes this cartoon color infographic from Slate Online Magazine (click the link at the bottom), so wonderful.
As most people are familiar with the color wheel it makes perfect sense to color code cartoon characters, especially if you are looking to create a space for your child or inner child, the color wheel is a great place to start.
As a parent, a visual like this could make quick work of (re)decorating your child’s personal space. Even if your child’s favorite character hasn’t made the cut on this graphic you can still draw inspiration from this cartoon color wheel or any color wheel.
It is really important for children to have input into the color schemes of their rooms. It’s a wonderful exercise in creativity and a real confidence booster in their ability to do this. In addition, it really helps to set the stage for their participation in color and design projects when they get older.
It has been said that the greatest of all inventions is the wheel. I would say that the color wheel is next. For most people, much of color “knowledge” is based on instinctive responses, cultural conditioning, and those aspects of color that we seem to absorb without much conscious thought. yet there is a great deal we can learn about color that is based on certain artistic and harmonious concepts.
July 31, 2013 § 2 Comments
July 31, 2013
I was perusing the Huffington Post when I spotted the story (link at the bottom) on vintage travel posters and was reminded of some of the wonderful posters that we came across when we were doing research for my latest book Pantone The 20th Century in Color.
There is something magically transportive in seeing these fantastic illustrations of life in far away places. The colors, mood, and feeling all come together to entice the eager traveller to get away. The following is an excerpt from the book that can be found in a section addressing the colorful 1920s called “Destinations.”
Though post-WWI nationalism made international travel a little more complicated, improvements in train and ship lines gave it a stylish sense of luxury and adventure. The forward march of technology also made speed part of the thrill.
Graphic designers did their part to build desire for cities like Paris and London with elegant posters that glamorized both destinations and their inhabitants-who all seemed to wear the latest fashions. Resorts like Nice and Vichy also benefitted from such marketing: resort towns that relatively few had heard of became worldwide household names.
The color language found in travel posters of the day frequently employed the coppery tones of suntans and the warm neutrals of sand and sunlight. Silvery greens gave elegant life to oceans and rivers, and olives and browns to the landscape.
July 24, 2013 § 2 Comments
July 24, 2013
Prior to the 1940s and Alex Steinweiss, a graphic designer and art director known for inventing album cover art, records were sold in plain brown wrappers.
In the 60s, album covers and concert posters frequently emulated the LSD experience with frenetic collages, undulating type, and hallucinogenic color.
But even before that, somewhere in between the bold graphic Steinweiss style or the trippy visuals of Wes Wilson or Peter Max, there was something else brewing in the minds of the average American musician who was looking to put out an album.
The August issue of Print, a bimonthly magazine about visual culture and design, highlights the unsung heros of these albums.
The book Enjoy The Experience: Homemade Records 1958-1992 by Sinecure Books is a compilation of the best (worst ?) in album art. Editor Johan Kugelberg says this about the book “Enjoy the Experience explores a slice of American culture with tales from well-known musicians to more obscure artists, such as pizza parlor organists. Some of these record covers are really laugh-out-loud funny, and some of the music and people are too…”
Which of these genres speaks to your visual sensibilities? Do you have any albums that you have just for their cover art?
July 16, 2013 § 1 Comment
July 15, 2013
For most people a green path leads inevitably to thoughts of nature. Mother nature painted more green on earth than any other color. It is the hue of foliage, grass, and growing plants; of graceful sheltering trees, dappled meadow and clinging vines; the shade of forest and jungle. It is the color of the country as opposed to the city; the romance of Robin Hood, wood urchins, elves, gnomes, and leprechauns; the pride of the Irish patriot and St. Patrick’s Day.
The sight of green is inexorably linked to the sense of smell-freshly mown lawn, pine needles, and wet leaves after a sudden summer shower, a splash of lime and a crushed sprig of mint. Because our sense are intertwined, scents and colors are inevitably tied, one sense suggesting a specific color to another. We can look at a bottle of perfume and sense how it will smell before we sniff it. We can’t help but associate a green fragrance with freshness and nature.
Most everyone knows how our endorphins kick in when we do something physical, like taking a walk in the woods filled with greenery. And there is much evidence to support the effect of green around us, including studies that tell us that being surrounded by green encourages us to breathe slowly and deeply, slowing the production of stress hormones. We certainly all need that in today’s fast-paced world.
The Japanese have been using a technique called “Shinrinyoku” or “forest bathing.” It’s not about taking a bath in the forest in the usual sense, but more about encouraging healthy lifestyles and reducing stress. Experts in that country also believe that forest bathing can improve the immune system. So it’s not just about eating your greens, but surrounding yourself with green—a worthy prescription for well-being.
June 27, 2013 § Leave a comment
June 27, 2013
I have been seeing more articles about personal shopping gaining in popularity and since that “attaches” itself to color/image consulting, I thought it would be a great time for me to talk about how I got my own consultation business rolling.
When I first started, I did various aspects of personal image and color consulting. I found out that once you have a client in one area and they develop a confidence in your abilities to help them, you can offer them other services, such as closet organizing (and who doesn’t need that!?), even color in their interiors. They, in turn, can recommend you to friends to keep a consulting service growing. All of this can fall under one umbrella and eventually expand into color consulting for consumer products, as it did for me. Training is necessary to hone these specific skills, but it can start very simply with personal/image consulting and/or personal shopping.
Dana Hall, Divisional VP of Sales and Service at Holt Renfrew stores in Canada, shares some thoughts on personal shopping. “The most important aspect of personal shopping is the relationship and trust built between the client and the staff, Hall says. She recalls instances where personal shoppers visited a client’s house to go through their existing wardrobe, sent merchandise to a customer at their office or home, hosted a private designer appearance, or attended a fashion shows with clients.”
It is through this kind of trust that other opportunities could arise. As has been the case with me.
While the link is mostly about department store services, personal shopping is a job opportunity that could lead to doing color consulting, closet organizing, expanding contacts or eventually going out on your own.
Color informs, brings instant comprehension, calls attention, delivers information, and creates an identity. This is true in all aspects of life whether personally or on a larger scale for product development.
Do you have a passion for color? Have you ever considered a career in color consulting?
May 31, 2013 § 6 Comments
May 31, 2013
You may remember when I took the opportunity to highlight one of the artists featured in my newest book Pantone The 20th Century in Color.
If not, click [HERE] and refresh your memory.
Since that post in June there has been some fun and interesting Turrell moments transpiring.
First was last weeks announcement of James Turrell taking over the Guggenheim to turn it into one of his eponymous “skyspaces.” This exhibit will begin June 21, 2013 which just happens to kick off the Summer solstice.
Follow the link at the bottom to read the full article.
In current happenings a little closer to home (my former home) the Los Angeles County Museum of Art is currently hosting a James Turrell retrospective. The retrospective will take you through fifty years of Turrell’s works including the Roden Crater project.
Second, there is more fun James Turrell news to be found in the May issue of The Hollywood Reporter. James was commissioned to design a home theater for a former CEO of E!, called the Picture Plane. This piece of work isn’t available for everyone to experience. For “those in the know”, a coveted invitation to a movie screening in the Picture Plane is almost as magical as the pre-movie screening of the sunset as manufactured through the Picture Plane.
Please take the opportunity to attend either or both of these shows to experience light and color through the eyes of this California native. I hope to have an opportunity to see either of these exhibits.
The color in the imagery is just breathtaking, no?!