September 10, 2013 § Leave a Comment
September 10, 2013
As many of you may already know, I wear many hats as a color expert. I am the Executive Director of the Pantone Color Institute, owner/director of the Eiseman Center for Color Information and Training and I am the author of eight books on color (soon to be nine, stay tuned).
As part of my work with Pantone I spearhead their Pantone View Home + Interior color forecast. In addition, twice a year, I am part of a team that creates the Pantone View Colour Planner, which is a color forecast that spans many fields, such as fashion, textile and industrial design. Both forecasts are a result of trends that are developing on all fronts from media, socio-economics, entertainment, the impact of the environment, travel influences and any other worthy subject or direction for all creative design fields. I then compile this information into imagery with color as the guide. I let color tell the story of the times.
These forecasts are coveted among designers and industry professionals as they plan each season’s new creations. They are filled with color palettes designed with a “mood”, a rationale and an inspirational direction. Whether used out of context or within the theme we set in the palettes, they are great tools and hold key design principles with texture and balance.
Forecasts are such an integral part of the color consulting world and intrinsic to the knowledge of color in the future. That is why this subject is included in the Color/Design programs that I teach twice yearly.
Could a forecast help you in your work with color? Does this sound like an interesting part of the color world and were you familiar with forecasts? Please take a moment to share.
December 13, 2012 § 2 Comments
December 13, 2012
Lorraine DePasque is a Style/Trends editor for instoremag.com. She has interviewed me many times before and we are often on the same “wavelength” when it comes to spotting trends. This was especially evident when it came to Emerald. I often tell people at my presentations to look to high end jewelry for future influence.
You can say that Lorraine had her (Emerald clad?) finger on the pulse of this one considering that she posted this blog back in April. Click the link below to read Lorraine’s rationale of Emerald in terms of jewelry.
August 29, 2012 § Leave a Comment
August 29, 2012
According to Wikipedia “January is on average, the coldest month of the year within most of the Northern Hemisphere (where it is the second month of winter) and the warmest month of the year within most of the Southern Hemisphere (where it is the second month of summer). In the Southern hemisphere, January is the seasonal equivalent of July in the Northern hemisphere.”
As a resident of the Northern Hemisphere, I like to take respite from the cold (and rain) and head south for four days to hold my semi-annual Color/Design master class. Next year’s class is going to be held January 24-27th in Burbank, California. California is the perfect sunny locale for a mid-winter getaway.
This hands-on class will give you the tools and education to take your career in color to the next level. The class will include the psychology and emotion of color, consumer color preferences, the formation of trends (where do they come from and where are they going), a workshop and time for in-depth Q&A.
Come and join me in sunny California to explore the wonderful world of color. Don’t forget your sunscreen!
June 18, 2012 § Leave a Comment
June 18, 2012
Cartoons come to life in this effervescent palette, The Comics. Funny paper hues pop off the page in whimsical ways that bring a smile and create the need to take some time to play. Ominous Phantom Black provides the backdrop for sulphuric yellow and fiery red. A flash of green provokes a strong blue while an inky cyan plays up to honeysuckle and primrose. It’s quirky joy and spontaneity.
“Forever 21 will roll out a small assortment of’Simpsons’ T-shirts for men and women, while Fox’s long-term global partner H&M is currently selling new ‘Simpsons’-themed boys’ wear. The Swedish retailer will also make ‘Ice Age’ Ts to coincide with the summer sequel ‘Ice Age: Continental Drift,’ as will midtier retailer C&A.”
It is always fun to watch a forecast become part of the mainstream in home and now in fashion. Jeremy Scott is the perfect match for this whimsical palette.
Are you seeing The Comic influence?
February 23, 2012 § Leave a Comment
February 23, 2012
I found this article and thought that with all of the great buzz surrounding Tangerine Tango that it would be fun to look back at when it all started. I excerpted a paragraph from the article for your viewing pleasure and included a link to the full article at the bottom.
“Sephora is about to bring out a limited-edition spring cosmetics line with orange eye makeup—including orange false eyelashes made from feathers. The renaissance of orange extends to many facets of design: The Canyons Resort in Park City, Utah, recently installed a luxury ski lift called the Bubble Express—with heated chairs in eye-popping orange.
This renaissance for orange has been a long time coming. The color was popular in the 1920s, and again in the 1960s, with a lesser renaissance in the ’80s.”
Are you hearing the buzz about the Pantone x Sephora collaboration? Will you be rushing out to pick up some of these limited-edition goodies?
October 18, 2011 § 6 Comments
Koeppel observes: ”Evolutionary biologists believe that human lighting preferences are the result of our trichromatic vision—rare in non-primates—which makes us particularly suited to daylight and perception of primary colors. There’s an anthropological component as well; for 4,000 years, humankind has been banishing darkness with fire. And Edison’s bulb, at its core, is a burning filament that casts a glow of flame. Abandoning incandescent bulbs means abandoning fire as our primary light source for the first time in human history.”
I never thought about it that way, but it certainly makes sense and answers the resistance that is being shown to accepting the newer look in light bulbs. Actually, from a design standpoint, some of the squiggly shapes of the newer energy saving bulbs are really quite interesting. The challenge is balancing a lampshade on some of them. However, there are some manufacturers that are using the odd shapes as a design component.
A chart explains the meaning of color temperature very simply. It states: “Expressed in degrees Kelvin, this is how we measure things like soft white or daylight. A pleasant soft white will have a color temperature of 3000K. White light ranges from 4100K to 6000K, roughly equal to noonday sun. Higher numbers get increasingly bluer”.
September 15, 2011 § 4 Comments
September 14, 2011
I was interviewed for the following article that appeared in Women’s Wear Daily Beauty Inc. and edited by Belisa Silva.
The article included some of the outstanding summer colors that are showing staying power for the fall.
What colors were your favorites this summer and what colors will you transition into fall?
July 1, 2011 § 1 Comment
July 1, 2011
One of my friends and a colleague, Judi Noble, is head colorist for Fiesta Dinnerware. She is also an artist who loves whimsy and color.
In celebration of its 75th anniversary, Fiesta has issued a series of pieces in an exciting new anniversary color-Marigold. Available for only 75 weeks, Marigold comes in the complete dinnerware collection, as well as a limited edition numbered Soup Tureen.
My contribution to the 2011 release was “The color of comfort (and many comfort foods), Fiesta Dinnerware’s Marigold reminds us of vibrant florals and cheering sunshine-guaranteed to coax a smile and provide the perfect background for edibles (and drinkables).”
June 24, 2011 § 1 Comment
June 24, 2011
Anne Roselt is the color manager for Plascon Paints in South Africa. She is a delightfully talented person who attended our color/design program in January.
For Plascon’s Spaces magazine Anne chose pink as her theme.
Seems that the hue has struck a universal chord.
February 28, 2011 § Leave a Comment
February 28, 2011
One of our color loving colleagues, Jude Stewart, has written an interesting article about color, tradition and weddings. It is a very fascinating look at the use of white in weddings throughout time. A quote from Jude’s post states that “Custom has decided, from the earliest ages, that white is the most fitting hue, whatever may be the material. It is an emblem of the purity and innocence of girlhood, and the unsullied heart she now yields to the chosen one.”
Chapter 13 in Colors For Your Every Mood is dedicated to white and its mark in society. Here is an excerpt about “Innocent White”.
“There is an innocence to white, a christening-dress kind of chasteness, an unsullied childlike naivete. It is traditionally the color of babies or brides. Baptismal and confirmation dresses are white, and some orders of nuns are married ceremonially to the church in a white gown. The ancient Greeks started the tradition of white at weddings, which they saw as a bridal symbol of joy. On the eve of her wedding ceremony, the Greek bride painted her body white, on her wedding day she wore white flowers in her hair and a flowing white gown. For thousands of years, the Japanese have seen white as pure, innocent, and virginal. The ladies of the court and shrine maidens, however, wore their white kimonos over red pantaloons! In the United States, white did not become the standard color for wedding dresses until the 1800s, and colonial brides wore a variety of pastel colors.”